{"id":5,"date":"2007-01-23T13:45:53","date_gmt":"2007-01-23T12:45:53","guid":{"rendered":"http:\/\/brodypaetau.com\/?page_id=5"},"modified":"2021-09-21T13:35:44","modified_gmt":"2021-09-21T12:35:44","slug":"cv","status":"publish","type":"page","link":"https:\/\/old.brodypaetau.com\/de\/cv","title":{"rendered":"CV"},"content":{"rendered":"

Ondrej Brody (b. 1980 in Prague CZ) & Kristofer Paetau (b. 1972 in Porvoo FI)<\/strong><\/p>\n

WORKS IN PUBLIC COLLECTIONS<\/em><\/strong><\/span><\/p>\n

MAC Museo de Arte Contemporanea de Niteroi<\/strong>, State of Rio de Janeiro, Brasil.
\nGaleria do Lago \/ Museu da Rep\u00c3\u00bablica<\/strong>, Rio de Janeiro, Brasil.
\nMuseo Tambo Quirquincho<\/strong>, La Paz, Bolivia.
\nKunsthallen Nikolaj (Copenhagen Contemporary Art Center)<\/strong>, Copenhagen, Denmark.
\nMoCa Museum of Contemporary Art<\/strong>, Cape Town, South Africa.
\nVideobrasil<\/strong>, Sao Paolo, Brasil.<\/p>\n

PRICES<\/strong><\/em><\/span><\/p>\n

2010: ‚Kunstpreis Balmoral 03‘, <\/em>international public art award<\/em>,<\/em> Schloss Balmoral, Germany
\n2005: ‚Essl Award‘, Sammlung Essl, Vienna, Austria<\/strong><\/p>\n

SELECTED SOLO EXHIBITIONS<\/em><\/strong><\/span><\/p>\n

2013:<\/strong><\/strong><\/span><\/p>\n

‚Pintar a China Agora \/ Painting China Now‘<\/strong><\/strong>, at Museu de Arte Moderna \u00e2\u20ac\u201c MAM (Museum of Modern Art), Rio de Janeiro, Brazil<\/p>\n

2012:<\/span><\/strong><\/p>\n

‚Cordel da Arte Contempor\u00c3\u00a2nea Brasileira‘<\/strong>, at Centro Cultural Sergio Porto, Rio de Janeiro, Brazil
\n‚It is not my fault‘<\/strong>, at dvorac sec contemporary, Prague, Czech Republic<\/p>\n

2011:<\/strong><\/span><\/p>\n

‚Ein Lebendiger Gartenzwerg in Bad Ems‘<\/strong>, AC Institute, FLAT OUT project, New York, USA
\n‚Made in China‘<\/strong>, Factory Art, Berlin, Germany
\n‚To Lose‘<\/strong>, STYX Projects, Berlin, Germany
\n‚Facing Portraits‘<\/strong>, C.Rockefeller Center for the contemporary arts, Dresden, Germany<\/p>\n

2010:<\/strong><\/span><\/p>\n

\u00e2\u20ac\u02dcKunstpreis Balmoral 03\u00e2\u20ac\u2122<\/strong>, Schloss Balmoral, Bad Ems, Germany
\n‚Degenerate Art‘<\/strong>, Karlin Studios, Prague, Czech Republic
\n\u00e2\u20ac\u02dcParasites Nr.: 3 \u00e2\u20ac\u201c Ondrej Brody & Kristofer Paetau\u00e2\u20ac\u2122<\/strong>, Olivia Jones, Hamburg, Germany
\n\u00e2\u20ac\u02dcWang Bin Torture in Commercial Quality, High Quality and Museum Quality\u00e2\u20ac\u2122<\/strong>, Open Source Gallery, New York, USA<\/p>\n

2009:<\/strong><\/span><\/p>\n

\u00e2\u20ac\u02dcExoticism\u00e2\u20ac\u2122 Trans Rat Fashion Show, Revenge Of The Nature & more curiosities\u00e2\u20ac\u2122<\/strong>, \u00c2\u00a0Divus Unit 30, London, England
\n\u00e2\u20ac\u02dcBalkan Exotic\u00e2\u20ac\u2122<\/strong>, Cultural Center DOM OMLADINE, Belgrade, Serbia,<\/p>\n

2008:<\/strong><\/span><\/p>\n

\u00e2\u20ac\u02dcSalvador DaliX\u00e2\u20ac\u2122<\/strong>, Kressling Gallery, Bratislava, Slovakia<\/p>\n

2007:<\/strong><\/span><\/p>\n

\u00e2\u20ac\u02dcPainting China Now!\u00e2\u20ac\u2122<\/strong>, Kiosk, Ghent, Belgium<\/p>\n

2006:<\/strong><\/span><\/p>\n

\u00e2\u20ac\u02dcIn Memoriam Manet, Richter & PBG4\u00e2\u20ac\u2122<\/strong>, PROGR Kunstzentrum, Bern, Switzerlad
\n\u00e2\u20ac\u02dcPet Painting Salon\u00e2\u20ac\u02dc<\/strong>, De Warande, Turnhout, Belgium<\/p>\n

2005:<\/strong><\/span><\/p>\n

\u00e2\u20ac\u02dcNoise Pictures\u00e2\u20ac\u2122<\/strong>, Center for Contemporary Arts – Jeleni Gallery, Prague, Czech Republic
\n\u00e2\u20ac\u02dcArtstar\u00e2\u20ac\u2122<\/strong>, Hit gallery, Bratislava, Slovakia
\n\u00e2\u20ac\u02dcKiez Avantgarde Kunstschule\u00e2\u20ac\u2122<\/strong>, Deutscher Kuenstlerbund, Berlin, Germany<\/p>\n

 <\/p>\n


\nSELECTED GROUP EXHIBITIONS<\/em><\/strong><\/p>\n

2014:<\/strong><\/strong><\/span><\/p>\n

‚FACELESS‘<\/strong>, Mediamatic Fabriek, Amsterdam, Netherlands.<\/p>\n

<\/span>2013:<\/span><\/strong><\/p>\n

‚FACELESS Part I & Part II‘<\/strong><\/strong>, MuseumsQuartier, Vienna, Austria.
\n<\/strong><\/strong><\/p>\n

2012:<\/span><\/strong><\/p>\n

‚Abre Alas‘<\/strong><\/strong>, Galeria Gentil Carioca, Rio de Janeiro, Brazil (cat.)
\n<\/strong><\/span><\/p>\n

2011:<\/strong><\/span><\/p>\n

‚The Global Contemporary. Art Worlds After 1989‘<\/strong>, ZKM | Center for Art and Media
\nKarlsruhe, Germany (cat.)
\n\u00e2\u20ac\u02dcCitace a interpretace\u00e2\u20ac\u2122<\/strong>, Galerie NoD\/Roxy, Prague, Czech Republic
\n\u00e2\u20ac\u02dcFrame Shop\u00e2\u20ac\u2122<\/strong>, Gitte Bohr Galerie, Berlin, Germany
\n‚Als der Nachbar zum telefonieren kam‘<\/strong>, Galerie Petra Vankova, Berlin, Germany
\n‚Pilot Survey – Pilotni Setreni‘<\/strong>, GALERIE BKC: Galerie Mladi, Brno, Czech Republic
\n‚Absurdita? Ironie? Groteska? No: 2‘<\/strong>, Galerie NoD\/Roxy, Prague, Czech Republic
\n\u00e2\u20ac\u02dcInauguration exhibition\u00e2\u20ac\u2122<\/strong>, Museum of Young Art, <\/strong>Prague, Czech Republic<\/p>\n

2010:<\/strong><\/span><\/p>\n

\u00e2\u20ac\u02dcMediations Biennale \/ Erased Walls\u00e2\u20ac\u2122<\/strong>, Poznan, Poland
\n\u00e2\u20ac\u02dcXVII Image Symposium THE RUSTLE OF IMAGES\u00e2\u20ac\u2122<\/strong>, CENTRO DE ARTE 2 DE MAYO, Madrid, Spain
\n\u00e2\u20ac\u02dcCopyClash\u00e2\u20ac\u2122<\/strong>, Trailer, Rotterdam, Netherlands
\n\u00e2\u20ac\u02dcNew Media, Sex, and Culture in the 21st Century\u00e2\u20ac\u2122<\/strong>, MONA Museum of New Art, Detroit, USA
\n\u00e2\u20ac\u02dcVoyeurism\u00e2\u20ac\u2122<\/strong>, Muzeum Sztuki, Lodz, Poland
\n\u00e2\u20ac\u02dcTrouble with Love\u00e2\u20ac\u2122<\/strong>, Dvorak Sec Contemporary, Prague, Czech Republic<\/p>\n

2009:<\/strong><\/span><\/p>\n

\u00e2\u20ac\u02dcSubversiv Messe\u00e2\u20ac\u02dc<\/strong>, Linz 09 Halle, Austria (cat.)
\n\u00e2\u20ac\u02dcLittlest Sister 09\u00e2\u20ac\u2122<\/strong>, Anthony Spinello Gallery, Miami, USA<\/p>\n

2008:<\/strong><\/span><\/p>\n

\u00e2\u20ac\u02dcDo gelo da Escandinavia ao fogo tropical, o Barracao Maravilha recria na Terra um inferno de delicias\u00e2\u20ac\u2122<\/strong>, Barracao Maravilha Arte Contemporanea, Rio de Janeiro, Brazil
\n\u00e2\u20ac\u02dcMostra Performance\u00e2\u20ac\u2122<\/strong>, Barracao Maravilha Arte Contemporanea, Rio de Janeiro, Brazil
\n\u00e2\u20ac\u02dcPerpetual Art Machine\u00e2\u20ac\u2122<\/strong> Video Lounge, SCOPE Art Fair NYC, USA & SCOPE Art Fair Basel, Switzerland
\n\u00e2\u20ac\u02dcTransart Festival\u00e2\u20ac\u2122<\/strong>, Cultural Centre Lamparna, Labin, Croatia<\/p>\n

2007:<\/strong><\/span><\/p>\n

\u00e2\u20ac\u02dcPrague Biennale 3 Glocal Outsiders\u00e2\u20ac\u2122<\/strong>, Prague, Czech Republic. (cat.)
\n\u00e2\u20ac\u02dcRotterdam International Film Festival\u00e2\u20ac\u2122<\/strong>, Participation with 2 videos, Rotterdam, Netherlands.
\n\u00e2\u20ac\u02dcThe Tent Show\u00e2\u20ac\u2122<\/strong>, Kunsthallen Nikolaj (Copenhagen Contemporary Art Center), Copenhagen, Denmark.
\n\u00e2\u20ac\u02dcEl Quinto Pasajero\u00e2\u20ac\u2122<\/strong>, Museo Tambo Quirquincho, La Paz, Bolivia. (cat.)
\n\u00e2\u20ac\u02dcMAC vazio\u00e2\u20ac\u2122<\/strong>, MAC Museo de Arte Contemporanea de Niteroi, State of Rio de Janeiro, Brasil
\n\u00e2\u20ac\u02dcHell Yeah\u00e2\u20ac\u2122<\/strong>, MoCa Museum of Contemporary Art, Cape Town, South Africa.
\n\u00e2\u20ac\u02dcT\/raum(a) 68\u00e2\u20ac\u2122<\/strong>, Hallen Belfort, Bruges, Belgium
\n\u00e2\u20ac\u02dcStatus Questionis\u00e2\u20ac\u2122<\/strong>, Annie Gentils Gallery, Antwerpen, Belgium<\/p>\n

2006:<\/strong><\/span><\/p>\n

\u00e2\u20ac\u2122International Prize for Performance\u00e2\u20ac\u2122<\/strong>, Galeria Civica, Trento, Italy
\n\u00e2\u20ac\u2122Report (Not Announcement)\u00e2\u20ac\u2122<\/strong>, basis voor actuele kunst BAK, Utrecht, Netherlands
\n\u00e2\u20ac\u2122After Cage\u00e2\u20ac\u2122<\/strong>, Z33 Artcenter, Hasselt, Belgium
\n\u00e2\u20ac\u2122Leere X Vision\u00e2\u20ac\u2122<\/strong>, Marta Herford Museum, Herford, Germany
\n\u00e2\u20ac\u2122Eastern Alliance\u00e2\u20ac\u2122<\/strong>, Muzeul National de Arta Contemporana, Bukarest, Romania
\n\u00e2\u20ac\u2122Reality, 10.55 Odense\u00e2\u20ac\u2122<\/strong>, a\u00c2\u00a0 Croquis \u00c2\u00a0model drawing project, at Kunsthallen Brandts in Odense, Denmark
\n\u00e2\u20ac\u2122Confessions\u00e2\u20ac\u2122<\/strong>, online group show, tank.tv
\n\u00e2\u20ac\u2122Record 404 \/ Lovely Shanghai Music\u00e2\u20ac\u2122<\/strong>, with Team 404 & John Armleder,
\n\u00e2\u20ac\u2122Knock Knock\u00e2\u20ac\u2122<\/strong>, Jack the Pelican Presents, Williamsburg, NY, USA
\n\u00e2\u20ac\u2122Personal Train\u00e2\u20ac\u2122<\/strong>, with Michael Pechoucek, Jiri Svestka Gallery, Prague, Czech Republic<\/p>\n

2005:<\/strong><\/span><\/p>\n

\u00e2\u20ac\u02dcEssl Award\u00e2\u20ac\u2122<\/strong>, Sammlung Essl, Vienna, Austria
\n\u00e2\u20ac\u02dcExtra Features Series (1) : Licking Curators Ass action\u00e2\u20ac\u2122<\/strong>, Higher Institute for Fine Arts, Antwerp, Belgium
\n\u00e2\u20ac\u02dcThe Art Forum Accident\u00e2\u20ac\u2122<\/strong>, at the Art Forum Art Fair opening, Berlin, Germany
\n\u00e2\u20ac\u2122Gerhard Richter\u00e2\u20ac\u2122<\/strong>, Project 0047, Berlin, Germany
\n\u00e2\u20ac\u2122Narrow Focus\u00e2\u20ac\u2122<\/strong>, Tranzit Workshops, Bratislava, Slovakia
\n\u00e2\u20ac\u02dcURB Visuals\u00e2\u20ac\u2122<\/strong>, KIASMA Museum for Contemporary Art, Helsinki, Finland
\n\u00e2\u20ac\u2122Yellow Pages\u00e2\u20ac\u2122<\/strong>, with Team 404 & John Armleder, Kunsthalle Palazzo, Basel \/ Liestal, Switzerland
\n\u00e2\u20ac\u02dcwww.magasin-cnac.org\u00e2\u20ac\u2122<\/strong>, Le Magasin, Grenoble, France
\n\u00e2\u20ac\u02dcAkt Saloon\u00e2\u20ac\u2122<\/strong>, In\/Out Space, Higher Institute for Fine Arts, Antwerp, Belgium<\/p>","protected":false},"excerpt":{"rendered":"

Ondrej Brody (b. 1980 in Prague CZ) & Kristofer Paetau (b. 1972 in Porvoo FI) WORKS IN PUBLIC COLLECTIONS MAC Museo de Arte Contemporanea de Niteroi, State of Rio de Janeiro, Brasil. Galeria do Lago \/ Museu da Rep\u00c3\u00bablica, Rio de Janeiro, Brasil. Museo Tambo Quirquincho, La Paz, Bolivia. Kunsthallen Nikolaj (Copenhagen Contemporary Art Center), […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-5","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/old.brodypaetau.com\/de\/wp-json\/wp\/v2\/pages\/5","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/old.brodypaetau.com\/de\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/old.brodypaetau.com\/de\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/old.brodypaetau.com\/de\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/old.brodypaetau.com\/de\/wp-json\/wp\/v2\/comments?post=5"}],"version-history":[{"count":18,"href":"https:\/\/old.brodypaetau.com\/de\/wp-json\/wp\/v2\/pages\/5\/revisions"}],"predecessor-version":[{"id":1938,"href":"https:\/\/old.brodypaetau.com\/de\/wp-json\/wp\/v2\/pages\/5\/revisions\/1938"}],"wp:attachment":[{"href":"https:\/\/old.brodypaetau.com\/de\/wp-json\/wp\/v2\/media?parent=5"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}